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paulvinger +1.917.544.5444 paul@paulvinger.com

PAUL VINGER

VOICE ACTOR

SAY IT LIKE YOU MEAN IT

COMMERCIAL
https://www.paulvinger.com/wp-content/uploads/2026/06/Paul-Vinger_Commercial_English.mp3


EDUCATIONAL
https://www.paulvinger.com/wp-content/uploads/2025/03/Paul-Vinger-eLearning-vo-explainer-demo-V2.mp3


LIVE EVENT
https://www.paulvinger.com/wp-content/uploads/2026/03/Paul_VOG-2026.mp3


MEDICAL
https://www.paulvinger.com/wp-content/uploads/2025/07/P_Medical-–-Highlight-Compilation_PV.mp3

Visit My Medical Narration Page
LET'S TALK
Broadcast-quality audio, fast turnaround, and Source-Connect directed sessions. A warm baritone, and a career actor who draws your audience in, respects your language, and tells your story.
Client
Testimonials

Let’s talk about your project.

“Paul is a consummate professional and a team-player. He offers great ideas and makes every direction work.”

“This is an absolutely beautiful interpretation of the essay; I had tears in my eyes.”

“My project was completed quickly, and Paul kept me in the loop. I look forward to collaborating again!”

” Your reading really brings out a sense of momentum and suspense through the sequences!”

“Paul delivered a truthful, sensitive and moving performance in the lead role in our 5-episode audio drama.”

“The writer was thrilled with your performance. The people she worked with to research the story all loved it too.”

“Thank you again for your wonderful, soulful and genuine portrayal! You nailed it!!!”

“Your reading was perfect, and was a really big hit with the players and the audience. And the composer!”

  • My Story
  • FAQ
  • Studio

My first time on stage was supposed to be a middle-school play. I hid out in the computer lab, got detention… and still had to do the play. Turns out I kinda liked it.

Then, while studying philosophy and physics in college, I took a theater elective — no detention needed. It taught me what could happen when I dropped my guard: make an audience laugh, live in a scene and forget the circumstances were imagined, find joy in holding a story and an audience with care.

I told stories as a newspaper journalist for two years, but the stage pulled me back. I moved to New York, trained in acting, dance, and singing, worked in theater, film, television, and print, and earned my union cards.

In 2021 I found voice acting and haven’t looked back. I live with my wife and son in the Chicago area, and I’m in my booth daily — not to hide out, but for client sessions, workout groups with fellow actors, improv, and coaching.

I’d love to work with you on your next project.

I'm on deadline — can you deliver fast?

Yes. On most workdays I can deliver finished audio within an hour or less. Text me at (917) 544-5444.

How do I hire you or request an audition?

Use my contact form to send a script, the sound or feel you’re looking for, your budget and timeline, and how the audio will be used. You can request a quote and a free sample read — or hire me outright. We’ll agree on price and deadline — then I’ll send a contract and record and deliver your audio.

What does it cost?

On union projects, I charge standard SAG-AFTRA rates. For non-union projects, I follow the GVAA Rate Guide. Package pricing is available for multi-channel usage and multi-part projects.

Can I work with you live, in a directed session?

Yes. I can work with you via Source-Connect, Zoom, Google Meet, and other platforms. I provide live playback, and primary and backup recording. After the first hour, session fees are billed in 30-minute increments.

Is it easy to get pickups and revisions?

Yes. Pickups for performance errors — missing words, mispronunciations — are always included. Limited pickups for script revisions and performance adjustments are included; additional pickups and extensive revisions are delivered quickly at additional cost.

Can you edit, process, and add music to audio?

Yes. I can deliver anything from raw studio sound to finished, production-ready audio.

Can you deliver the audio format and encoding I need?

Yes. I’ll deliver exactly the settings you require. If you’re unsure, I can recommend settings based on usage.

Do you work on union or non-union projects?

Both.

Can I license or create your AI voice?

No. I have not made or licensed a synthetic voice, and my contract prohibits duplication or modeling.

Tell me about your contract.

My contract provides a framework for a smooth business relationship that safeguards both our interests. It consists of a one-time Voice Over Services Agreement — and a Statement of Work for individual projects.

How do I pay?

On union and some nonunion projects, a paymaster service will send an invoice with payment info. For other non-union projects, I send an invoice that includes many popular payment options.

Can you help me find additional voice talent?

Yes. I have an extensive network of talented voice actors across many demographics and genres. I’ll be happy to help you find the perfect voice for your project.

What if I have more questions?

Get in touch! Email me at paul@paulvinger.com, use the contact form below, or schedule a call.

Raw Audio

Two industry-standard mics, two textures — Sennheiser MKH-416 shotgun, and Neumann TLM 103 large-diaphragm condenser, both into an Apogee Symphony Desktop. No processing, no production — this is what a live session sounds like. Hear the difference and tell me which one fits your project.

Sennheiser MKH-416
https://www.paulvinger.com/wp-content/uploads/2026/04/Sennheiser-MKH-416-raw.mp3


Neumann TLM 103
https://www.paulvinger.com/wp-content/uploads/2026/04/Neumann-TLM-103-raw.mp3

My Story

My first time on stage was supposed to be a middle-school play. I hid out in the computer lab, got detention… and still had to do the play. Turns out I kinda liked it.

Then, while studying philosophy and physics in college, I took a theater elective — no detention needed. It taught me what could happen when I dropped my guard: make an audience laugh, live in a scene and forget the circumstances were imagined, find joy in holding a story and an audience with care.

I told stories as a newspaper journalist for two years, but the stage pulled me back. I moved to New York, trained in acting, dance, and singing, worked in theater, film, television, and print, and earned my union cards.

In 2021 I found voice acting and haven’t looked back. I live with my wife and son in the Chicago area, and I’m in my booth daily — not to hide out, but for client sessions, workout groups with fellow actors, improv, and coaching.

I’d love to work with you on your next project.

FAQ

I'm on deadline — can you deliver fast?

Yes. On most workdays I can deliver finished audio within an hour or less. Text me at (917) 544-5444.

How do I hire you or request an audition?

Use my contact form to send a script, the sound or feel you’re looking for, your budget and timeline, and how the audio will be used. You can request a quote and a free sample read — or hire me outright. We’ll agree on price and deadline — then I’ll send a contract and record and deliver your audio.

What does it cost?

On union projects, I charge standard SAG-AFTRA rates. For non-union projects, I follow the GVAA Rate Guide. Package pricing is available for multi-channel usage and multi-part projects.

Can I work with you live, in a directed session?

Yes. I can work with you via Source-Connect, Zoom, Google Meet, and other platforms. I provide live playback, and primary and backup recording. After the first hour, session fees are billed in 30-minute increments.

Is it easy to get pickups and revisions?

Yes. Pickups for performance errors — missing words, mispronunciations — are always included. Limited pickups for script revisions and performance adjustments are included; additional pickups and extensive revisions are delivered quickly at additional cost.

Can you edit, process, and add music to audio?

Yes. I can deliver anything from raw studio sound to finished, production-ready audio.

Can you deliver the audio format and encoding I need?

Yes. I’ll deliver exactly the settings you require. If you’re unsure, I can recommend settings based on usage.

Do you work on union or non-union projects?

Both.

Can I license or create your AI voice?

No. I have not made or licensed a synthetic voice, and my contract prohibits duplication or modeling.

Tell me about your contract.

My contract provides a framework for a smooth business relationship that safeguards both our interests. It consists of a one-time Voice Over Services Agreement — and a Statement of Work for individual projects.

How do I pay?

On union and some nonunion projects, a paymaster service will send an invoice with payment info. For other non-union projects, I send an invoice that includes many popular payment options.

Can you help me find additional voice talent?

Yes. I have an extensive network of talented voice actors across many demographics and genres. I’ll be happy to help you find the perfect voice for your project.

What if I have more questions?

Get in touch! Email me at paul@paulvinger.com, use the contact form below, or schedule a call.

Studio
Raw Audio

Two industry-standard mics, two textures — Sennheiser MKH-416 shotgun, and Neumann TLM 103 large-diaphragm condenser, both into an Apogee Symphony Desktop. No processing, no production — this is what a live session sounds like. Hear the difference and tell me which one fits your project.

Sennheiser MKH-416
https://www.paulvinger.com/wp-content/uploads/2026/04/Sennheiser-MKH-416-raw.mp3


Neumann TLM 103
https://www.paulvinger.com/wp-content/uploads/2026/04/Neumann-TLM-103-raw.mp3

Contact Me Directly

EMAIL:  paul@paulvinger.com

MOBILE:  (917) 544-5444

SOURCE-CONNECT:  paulvinger

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