When you need a voice talent who has the essentials down — responsive, easy to work with, solid reads, broadcast-quality studio with paid Source-Connect…
And when you want a true storyteller — a career actor with warmth, playfulness, and calm but undeniable authority…
Clients
Client
Testimonials
From producers, directors, and authors I’ve worked with.
“Paul is a consummate professional and a team-player. He offers great ideas and makes every direction work.”
“Paul delivered a truthful, sensitive and moving performance in the lead role in our 5-episode audio drama.”
“My project was completed quickly, and Paul kept me in the loop. I look forward to collaborating again!”
“This is an absolutely beautiful interpretation of the essay; I had tears in my eyes.”
“Your reading really brings out a sense of momentum and suspense through the sequences!”
“The writer was thrilled with your performance. The people she worked with to research the story all loved it too.”
“Thank you again for your wonderful, soulful and genuine portrayal! You nailed it!!!”
“Your reading was perfect, and was a really big hit with the players and the audience. And the composer!”
I'm on deadline — can you deliver fast?
Yes. On most workdays I can deliver finished audio within an hour or less. Text me at (917) 544-5444.
How do I hire you or request an audition?
Use my contact form to send a script, the sound or feel you’re looking for, your budget and timeline, and how the audio will be used. You can request a quote and a free sample read — or hire me outright. We’ll agree on price and deadline — then I’ll send a contract and record and deliver your audio.
What does it cost?
On union projects, I charge standard SAG-AFTRA rates. For non-union projects, I follow the GVAA Rate Guide. Package pricing is available for multi-channel usage and multi-part projects.
Can I work with you live, in a directed session?
Yes. I can work with you via Source-Connect Standard / Talent, Zoom, Google Meet, and other platforms. I provide live playback, and primary and backup recording. After the first hour, session fees are billed in 30-minute increments.
Is it easy to get pickups and revisions?
Yes. Pickups for performance errors — missing words, mispronunciations — are always included. Limited pickups for script revisions and performance adjustments are included; additional pickups and extensive revisions are delivered quickly at additional cost.
Can you edit, process, and add music to audio?
Yes. I can deliver anything from raw studio sound to finished, production-ready audio.
Can you deliver the audio format and encoding I need?
Yes. I’ll deliver exactly the settings you require. If you’re unsure, I can recommend settings based on usage.
Do you work on union or non-union projects?
Both.
Can I license or create your AI voice?
No. I have not made or licensed a synthetic voice, and my contract prohibits duplication or modeling.
Tell me about your contract.
My contract provides a framework for a smooth business relationship that safeguards both our interests. It consists of a one-time Voice Over Services Agreement — and a Statement of Work for individual projects.
How do I pay?
On union and some nonunion projects, a paymaster service will send an invoice with payment info. For other non-union projects, I send an invoice that includes many popular payment options.
Can you help me find additional voice talent?
Yes. I have an extensive network of talented voice actors across many demographics and genres. I’ll be happy to help you find the perfect voice for your project.
What if I have more questions?
Get in touch! Email me at paul@paulvinger.com, use the contact form below, or schedule a call.
Raw-Audio Samples
Zero processing — just me saying hello, with room tone at the tail, and the rich, clean sound you’ll get in a live session. . . . . . . . . . . . . . . . . . . . . .
Studio Setup
- Fully-treated custom 10×11 recording space
- Sennheiser 416, Neumann TLM 103
- Apogee Symphony Desktop interface
- Mogami Gold cables
- Mac mini
- Hard-wired, gigabit ethernet
- Adobe Audition, iZotope Rx
- Source-Connect Standard & Talent (paid), Zoom Pro, Teams
- Loopback, for in-session playback
- Output to wav, mp3, aiff, etc. / encoding up to 32-bit
- Delivery via Dropbox, Google Drive, email
My first time on stage was supposed to be a middle-school play. I hid out in the computer lab, got detention… still had to do the play. And I kinda liked it.
But I felt… exposed. So it wasn’t until college, while studying philosophy and physics, that I took a theater elective (no detention needed) and discovered what could happen when I let an audience in on a secret: share laughter, live in imagined circumstances, hold a story together with care.
After graduating, I turned to writing. Following my literary hero, Hemingway, I told stories as a newspaper journalist, covering a beat for two years. But meaningful as words could be, they couldn’t reach an audience as a voice can. The stage called me back for good — to New York, where I trained in acting, dance and singing, worked in theater, film, television and print, and earned my union cards.
Then I moved to the Chicago area with my wife and son, and found voice acting — storytelling that carries the intimacy of writing and the connection of theater. Now I’m in my booth daily… not to hide out, but to invite people in. It’s where I work with clients, train, do improv, and continue learning.
That’s my story. I’d love to hear yours.
- FAQ
-
I'm on deadline — can you deliver fast?
Yes. On most workdays I can deliver finished audio within an hour or less. Text me at (917) 544-5444.
How do I hire you or request an audition?
Use my contact form to send a script, the sound or feel you’re looking for, your budget and timeline, and how the audio will be used. You can request a quote and a free sample read — or hire me outright. We’ll agree on price and deadline — then I’ll send a contract and record and deliver your audio.
What does it cost?
On union projects, I charge standard SAG-AFTRA rates. For non-union projects, I follow the GVAA Rate Guide. Package pricing is available for multi-channel usage and multi-part projects.
Can I work with you live, in a directed session?
Yes. I can work with you via Source-Connect Standard / Talent, Zoom, Google Meet, and other platforms. I provide live playback, and primary and backup recording. After the first hour, session fees are billed in 30-minute increments.
Is it easy to get pickups and revisions?
Yes. Pickups for performance errors — missing words, mispronunciations — are always included. Limited pickups for script revisions and performance adjustments are included; additional pickups and extensive revisions are delivered quickly at additional cost.
Can you edit, process, and add music to audio?
Yes. I can deliver anything from raw studio sound to finished, production-ready audio.
Can you deliver the audio format and encoding I need?
Yes. I’ll deliver exactly the settings you require. If you’re unsure, I can recommend settings based on usage.
Do you work on union or non-union projects?
Both.
Can I license or create your AI voice?
No. I have not made or licensed a synthetic voice, and my contract prohibits duplication or modeling.
Tell me about your contract.
My contract provides a framework for a smooth business relationship that safeguards both our interests. It consists of a one-time Voice Over Services Agreement — and a Statement of Work for individual projects.
How do I pay?
On union and some nonunion projects, a paymaster service will send an invoice with payment info. For other non-union projects, I send an invoice that includes many popular payment options.
Can you help me find additional voice talent?
Yes. I have an extensive network of talented voice actors across many demographics and genres. I’ll be happy to help you find the perfect voice for your project.
What if I have more questions?
Get in touch! Email me at paul@paulvinger.com, use the contact form below, or schedule a call.
- Studio
-
Raw-Audio Samples
Zero processing — just me saying hello, with room tone at the tail, and the rich, clean sound you’ll get in a live session. . . . . . . . . . . . . . . . . . . . . .
Studio Setup
- Fully-treated custom 10×11 recording space
- Sennheiser 416, Neumann TLM 103
- Apogee Symphony Desktop interface
- Mogami Gold cables
- Mac mini
- Hard-wired, gigabit ethernet
- Adobe Audition, iZotope Rx
- Source-Connect Standard & Talent (paid), Zoom Pro, Teams
- Loopback, for in-session playback
- Output to wav, mp3, aiff, etc. / encoding up to 32-bit
- Delivery via Dropbox, Google Drive, email
- Media
-
- My Story
-
My first time on stage was supposed to be a middle-school play. I hid out in the computer lab, got detention… still had to do the play. And I kinda liked it.
But I felt… exposed. So it wasn’t until college, while studying philosophy and physics, that I took a theater elective (no detention needed) and discovered what could happen when I let an audience in on a secret: share laughter, live in imagined circumstances, hold a story together with care.
After graduating, I turned to writing. Following my literary hero, Hemingway, I told stories as a newspaper journalist, covering a beat for two years. But meaningful as words could be, they couldn’t reach an audience as a voice can. The stage called me back for good — to New York, where I trained in acting, dance and singing, worked in theater, film, television and print, and earned my union cards.
Then I moved to the Chicago area with my wife and son, and found voice acting — storytelling that carries the intimacy of writing and the connection of theater. Now I’m in my booth daily… not to hide out, but to invite people in. It’s where I work with clients, train, do improv, and continue learning.
That’s my story. I’d love to hear yours.
Contact Me Directly
Ask a Question • Get a Quote • Hire Me
Send a Message:
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